I know not to know.
There are many things that just do not know about dear mastodon. This leads me to understand some aspects more than others.
This site was born a few months ago with the 'intention to have a few good tools but I hope to understand other forms of study.
I believe that our instrument is very special. That's why there are many schools and many are at odds with one another. If I use the Italian technique, it does not mean that it is the best.
There isn't a technique better than the others and you can't study all the techniques that exist. Everyone thinks that his instrument is the best, as long as he does not listen to another one. At the end what is important is how to make their own music. In the hope that the sound of the doublebass is that of two centuries ago, without the help of technology (very thin strings provide you an incredible agility, but the doublebass sound seems to be the one of a "contra-cello", a no definied instrument).
"We all must thank you, Dear Vito, for your tireless work for all of us bassists!" You are doing so much for your colleagues and your art.
Ricondando Giuseppe Maria MARANGONI (1866-1945) "Anna e Pietro si lasciano andare in una esecuzione sul filo della memoria di una musica ormai totalmente interiorizzata e si guardano, di tratto in tratto, in una straordinaria muta conversazione d'intenti.
PIERMARIO MURELLI - "Nuova didattica per contrabbasso " Ed. RICORDI