Vito Liuzzi
"Il Contrabbasso" or
"The Classical Double Bass"
PHOTOS DOUBLE BASSES
Just to have an idea of different SHAPES in a Double Bass in comparison with other bow strings (violin, viol or cello)
My favourite bass !!
In "memoriam " of OVIDIU BADILA - his instrument
POLLMANN
TWO WORDS about OBLIGATO SOLO
... only other brief considerations about OBLIGATO SOLO
By now you know my thoughts on the Obligato Pirastro, but since I'm just testing them for the next concert, I noticed other qualities of these strings.
Often times the fourth string is the weakest, while the Obligate SOLO is the F # that provides great satisfaction from a sonorous point of view. In this case the whole set is very well balanced. The sound is more characteristic of this sound like the casing that has a loss. The reactivity of the string under the bow is of some significance and frequency of vibration allow you to can play in any position without major problems.
My students are starting with the Obligato all, when then they want to change to a thin string (now go to the very fashionable iper-thin strings), and more manageable, which will shorten the strings steel or aluminum are more easier to be played under the hand left, but the sound is no longer in the gut to which they were accustomed and do not know what to do. The hyper-thin strings are going good for exhibitionist but not for a bass player who wants to hear the stamp of the past three centuries (and perhaps more).
Today we hear many "contra-cellos ', a kind of instrument that no one knows where to place, why not a double bass and is not a cello. The Obligato (Orchestra or Orchestra) for me to remain the only clearly define the timbre of the double bass. On this I have no doubt. Whit Obligato you will have the sound of three/four centuries ago.
Often times the fourth string is the weakest, while the Obligate SOLO is the F # that provides great satisfaction from a sonorous point of view. In this case the whole set is very well balanced. The sound is more characteristic of this sound like the casing that has a loss. The reactivity of the string under the bow is of some significance and frequency of vibration allow you to can play in any position without major problems.
My students are starting with the Obligato all, when then they want to change to a thin string (now go to the very fashionable iper-thin strings), and more manageable, which will shorten the strings steel or aluminum are more easier to be played under the hand left, but the sound is no longer in the gut to which they were accustomed and do not know what to do. The hyper-thin strings are going good for exhibitionist but not for a bass player who wants to hear the stamp of the past three centuries (and perhaps more).
Today we hear many "contra-cellos ', a kind of instrument that no one knows where to place, why not a double bass and is not a cello. The Obligato (Orchestra or Orchestra) for me to remain the only clearly define the timbre of the double bass. On this I have no doubt. Whit Obligato you will have the sound of three/four centuries ago.
Vito Liuzzi
THOMAS MARTIN says:
"We all must thank you, Dear Vito, for your tireless work for all of us bassists!" You are doing so much for your colleagues and your art.
prof.dr. Vito Domenico Liuzzi "Doctor of Law" -"Magna cum Laude"
TRANSLATOR
CATALIN ROTARU - WAN TING YU- "Davide Botto"
*** The Cd of the year ***
CATALIN ROTARU plays on TESTORE by BOTTESINI !!! "Lord of the basses"
CATALIN ROTARU "Sonic Bridges" vol.II (HR)
YOUTH
Enzo Caterino & Orazio Ferrari
21th CENTURY DOUBLE BASS - Leon Bosh
TYPICALLY TEPPO
"Tololock" by MUSHAMUKAS
DAN STYFFE
"Postcards from Oslo"
BERNARD SALLES (CDs)
BERNARD SALLES
MILOSLAV GAJDOS
Bass Band & Babjak
Titanic Doublebass
Fondamenti di tecnica del contrabbasso by MICHAEL WOLF
BOGUSLAW FURTOK
MATTEO CICCHITTI & "Musica Elegentia" Perigrinare nei suoni gravi e soavi
LEONARDO PRESICCI
BassMonsters
DOMINIK WAGNER "Gassenhauer Gassenbauer"
JAN KRIGOVSKY "4 Slovak Double Bass Centuries"
J.M. SPERGER - "Le quattro sonate" by Claudio Bortolomai
NICOLA MALAGUGINI "Nova et vetera"
DIEGO ZECHARIES
"A TRIBUTE TO TEPPO" - Teppo Hauta-aho "THE KING" by Nbbrecords
DAN STYFFE "Octophonia" NEW CD
THIERRY BARBE'
CATALIN ROTARU or "The PAGANINI of the DOUBLE BASS"
MAURICIO ANNUNZIATA & ALL HIS COMPOSITIONS for Doublebass and Orchestra (piano reduction) - FREE DOWNLOAD
MARCOS MACHADO & His New Book (VOL.1) for The Left Hand. HR!
SPERGER DUO - "Sonatas for Double Bass and Piano" with PILIP JARO & Xénia Jarovà
MAXIMOS FERMAKIDIS
GOLDBERG VARIATIONS
PINO ETTORRE
LEON BOSH
BOTTESINI
DAN STYFFE
MARCOS MACHADO
JOEL QUARRINGTON
ORAZIO FERRARI
MICHAEL WOLF
PIERMARIO MURELLI - "Nuova didattica per contrabbasso " Ed. RICORDI
ALFREDO TREBBI
RICCARDO CROTTI
BOGUSLAW FURTOK
ENRICO FAGONE
IRINA KALINA GOUDEVA
MICHAEL KLINGHOFFER
ALFRED PLANIAVSKY
MAURIZIO TURRIZIANI
THE BASS GANG
Thomas Martin & Timothy Cobb
SILVIA MATTEI
THE BASS SONORITY
DONOVAN STOKES
CATALIN ROTARU
FEDERICO BAGNASCO
ALFREDO TREBBI
THOMAS MARTIN & his "Requiem" by Bottesini
PAOLO BENELLI
Dragonetti: Solos for double bass
MICHELE VERONESE
CATALIN ROTARU
Cd/DVD
PAOLO BENELLI
World Premiere!
FRANCESCO FRAIOLI
DAN STYFFE
"Portraits for friends" by BERNARD SALLES
BASSIONE AMOROSA
IRINA-KALINA GOUDEVA
"Recomenzar El Infinito"
FILIP JARO
Jacques
Vanherenthals ***
"Four Baroque Suite" for solo double bass (SHAGAN GROLIER)
A New Carbon Fibre Bow: The "Ti - Carbon Musicherie"
https://www.musicherie.com
Vito Liuzzi !!
Rino Liuzzi in STUDIOS
ON FACEBOOK